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Image from the Minnesota Textile Center

The Beads of Whimsy Show is a national show, juried by Stephanie Eddie, and held at the Minnesota Textile Center from March 7th through April 12th. There are whimsical beaded pieces from across the United States, Canada, and Great Britain.

Carol and I went to this show today, and the image from the website and on the postcard (above) is of Laura Leonard’s Motorcycle Mama, image courtesy of the artist. I love her work, always have. She has a great sense of humor, and I see her work at local shows (including American Craft Council shows) probably once/year. This piece won first in non-wearable.

(I took the pictures below — I took others, and would have liked to share more, but the rest were unclear.)

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This is the best in show piece, Beadgami by Jennifer Hastings. It’s a great structural piece of herringbone and peyote.

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Ann Gilbert had a whole collection of fish, called Mobile Fish. This is one of my favorite fish.

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Another collection of whimsical pieces was a collection of birdhouses, done by Diane Fitzgerald. This was second in non-wearables.

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Second in the non-wearable flat category was Split Rail Analogy by Frances Holliday Alford. Carol and I stood there and identified things that were incorporated. It’s like Where’s Waldo!

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This is Shell Game, a purse by Kelly Dorman, second in wearable, non-jewelry (I think I have these categories right). This is jasper, and she used trapunto for some of this; don’t see that much.

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This picture’s not as good (window, etc), but I wanted to post this regardless. This is by Valerie Kuzma, and we loved these colors. That’s Peruvian opal in there, among other things. The title is Jump in, the water is fine, and this first in the wearable category - jewelry.

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The colors and structure of this piece were really phenomenal. This is Festival by Karyl Lynch.

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Sharon Wright’s Red glove and booted naked lady has great texture. It looks like the beads were colored somehow after embroidering, and then some wiped off the surface?

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Look at this! This is Tatiana’s Crown by Brenda Brousseau, first in wearable, non-jewelry. Excellent construction, just gorgeous.

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Another great headpiece. I wonder how this looks on? Sorry, lost the name on this one….  (eta, this is Fauna and Flora by Maggie Hamel McCloud, 3rd in wearable jewelry)

And finally, were Carol and I the jury, this is the piece we would have picked. This is Pirate Poem by Terri Allen. The sign by it said we could touch it and turn the pages. It’s an original poem, lavishly illustrated, and bound into a book. The artist will take the book to schools and such and show students. Enjoy!

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Edited 6/7/08 — The Upper Midwest Bead Society has included pictures of the winners on their webpage.

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Ancient Traders Gallery is in the Phillips neighborhood of Minneapolis, an area with a significant Native American population. It’s nearby, but I was unaware of the gallery until I read an article in the local paper about the current show, Generations, Legacy, and Tradition. There were carvings (pipestone, horn, alabaster), paintings, quilting — and beadwork. I have a beautiful glossy brochure — you can see a pdf of it on the website, under current art exhibit -> opening event flier (I can’t get it to link, sorry - and the show is until February 23rd, so the document will probably be removed after that).

My favorite quilter was Vi Colombe (Modoc); her bio from the gallery includes that she received a 2006 Bush Artist’s Fellowship, has a degree in fashion, and has been a wardrobe coordinator for a national rodeo finals competiton. Great color combos, interesting and pleasing modifications of classic quilt patterns.

Dwayne Wilcox (Oglala Lakota) had some great ledger drawings, and is also a Bush Foundation Fellow. Great sense of dark ironic humor. One painting is called “Cheese with that Whine,” and depicts an Indian in regalia, holding a piece of paper saying “broken treaties,” and being served government cheese and port by butlers, image of it here.

There were 3 beaders whom I particularly liked. I picked up a card with a picture of a turtle medallion done by Doug Limon (Ojibwe/Oneida). The center of each medallion is a turtle, and the center of the turtle is various metal objects such as buffalo head nickles. They were well-displayed in eye-catching groups; I think smaller things can be more effectively displayed this way.

Karen Beaver (Yupik/Mandan/Hidatsa) was another great bead artist. She had a shadow box about Jim Thorpe that I particularly liked. On a medallion was a very realistic beaded image of Thorpe, also two medallions that looked like gold medals, ink drawings, a quote saying that he was the greatest athlete ever (from the King of Sweden, I think?), and more. Late last year, I saw other pieces of hers at the Weisman Art Museum in Minneapolis.

Todd Bordeaux (Sicangu Lakota) and his story sticks! He’s continuing to keep a family 7-generation winter count on them. There was one in the gallery, it’s not the one on this website, but similar. The pictographs are amazing. I couldn’t walk all the way around the piece though, I wish I could. (Actually, I wish I could pick it up, but that wasn’t happening either!) He also beaded (and put an animal head on) Pez dispensers. The title was “Reservation Diabetes Dispensers.”

Here are some other images of the pieces in the gallery. If you are so inclined, take a browse!

Then I went to gift shop/trading post next door. A gentleman came in with a great carved walking stick with a horn handle with metal inlay while I was there, and also pulled out some pipestone carvings that he’d made. Negotiations commenced. There was beadwork there, both for sale and old pieces on exhibit. And, well, I bought beads….

A great way to spend a couple of hours!

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