embroidery

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Tambour video

Bob Haven has introduced himself in the comments of a couple previous posts on tambour beading (here and here); he is a costume technologist at the University of Kentucky. He alerted me that he’s posted a video with good closeups of the technique:

Check out Bob’s YouTube channel to see other uploads, which at this time are samples of his work.

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Here’s the second installment of pictures from this show, just ended at the University of St. Thomas in St. Paul.  These are Jo Wood’s works.  She expertly creates these detailed beaded scenes on handmade wool felt.  I have always loved Wood’s beadwork, and her use of color and stitch placement and direction makes beautiful art.  I saw some of the pieces at a show earlier this year at The Grand Hand, and it was a treat to revisit them. (My earlier post on that visit.)

As a disclaimer, the light was quite low, and these pictures were taken without flash and hand-held, with very slow shutter speed.  The case was lit from the top, and the pieces on the lower shelf was particularly difficult to photograph (which is why I could only get details of a couple of pieces).

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Cabin Yard (Here’s Wood’s much better picture.)

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Seasons of Light, detail (Here’s her picture of a related work, First Snow.)

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Pussy Willow Time (Wood’s picture)

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Coneflower 3

Wood-blossom

From Blossom to Blossom, detail

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Iris Triptych III (Wood’s picture)

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Iris, detail

Time in Place Diptych consists of two framed panels.  Top framed panel, with a single square of beading at one end:

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Part I – Winter – It Snows Alot

Bottom:

Woods-time-rest

Part II – Spring – Wing and Song; Summer – The First Day; Autumn – Wild Ride

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Robert Haven is a costume technologist, Associate Professor of Costume Technology at the University of Kentucky.  His website is rich in photographs and descriptions of his work.  Robert recently read my earlier post on tambour beading, and introduced himself in the comments.  He has studied with the granddaughter of a Puerto Rican tambour embroiderer, and has taken sabbatical to learn at Lesage in Paris, and the Royal School of Needlework at Hampton Court Palace.  Next summer, he is teaching a class in Haute Couture French embroidery – thread, beads, and sequins! – in Lexington.  Someone go and report back!

ETA: Robert has videos on the process on his website.  This is the view from the top, and this is the view from underneath.

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Petal possibilities

I’m looking for flowers to accompany the daisy I made, now attached to the correct white ultrasuede.

Option one: sequin flower.  The shape is good, but the size is small, and the pink flash of the ab finish is too much for this.

petal-possible-1

Option two: petal beads plus the same center as the white daisy.  What I don’t like about this one is the separation of the petals.  I do like having the centers of both flowers the same.  The glass petals are pretty good, as is the overall size of the flower.

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Option three: bringing the petals in closely together and using a similar colored drop bead. I like overall shape of the flower better, but now there are no common elements between the two flowers.  I tried to put a few of the s/l topaz beads in the center, and that didn’t work.  These Swarovski flatbacks are too big. Maybe a size 6 in the s/l topaz would be better?

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Oh!  Maybe I can graduate from the biggest flower, my beaded one, to the gap-petaled flower, to the smaller flower with the drop in the center.  Crude Photoshopping….

petal-possible-4

That might work, particularly if I use a s/l topaz bead for the center of the smallest flower.

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Another daisy

I think this one is really pretty, definitely substantially different than the prior ones.  It’s also bigger, at about 1″ across its face.

daisy-sample-4

I’m pleased at the shaping and cupping of the petals; that turned out really well.  This is a temporary mount on ivory Ultrasuede, instead of white, so the petals aren’t on tight and you can see loose thread and tails.  I can easily reuse them this way.  The flower center is a 5mm Swarovski flatback.  It’s obscured by the 15 seeds looking at an angle like this, but gives some depth to the flower if looking straight on, a rich gold with some flash.  I have the flatbacks in 6mm too.

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