Wall pieces

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A desert scene

I recently mailed a gift for a friend. I spent the most time on the desert scene below, creating prickly pear cacti in a sandy desert scene. I was inspired by Joanne Bast, and her mastery of brick stitch. I do use brick stitch, but not as she does to create scenes. This is comparatively quite simple:  I created an outline of the cactus paddle in brick, and then filled it in. I tried to create the right angle weave background of sand in the same plane as the cacti, but it blended too much. Mounting the cacti on the right angle weave background was much better.

The mix of beads for sand includes Japanese 15s, Czech and Japanese 11s, and French 10s. The cacti are a matte ab Czech, and the blooms are a gorgeous transparent French 14. French seed beads are no longer being manufactured, and I love it when I can find a use which highlights their beauty.

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Here’s the second installment of pictures from this show, just ended at the University of St. Thomas in St. Paul.  These are Jo Wood’s works.  She expertly creates these detailed beaded scenes on handmade wool felt.  I have always loved Wood’s beadwork, and her use of color and stitch placement and direction makes beautiful art.  I saw some of the pieces at a show earlier this year at The Grand Hand, and it was a treat to revisit them. (My earlier post on that visit.)

As a disclaimer, the light was quite low, and these pictures were taken without flash and hand-held, with very slow shutter speed.  The case was lit from the top, and the pieces on the lower shelf was particularly difficult to photograph (which is why I could only get details of a couple of pieces).

Wood-cabin-yard

Cabin Yard (Here’s Wood’s much better picture.)

Wood-Seasons-of-Light

Seasons of Light, detail (Here’s her picture of a related work, First Snow.)

Wood-pussy-willow-time

Pussy Willow Time (Wood’s picture)

Wood-coneflower

Coneflower 3

Wood-blossom

From Blossom to Blossom, detail

wood-iris

Iris Triptych III (Wood’s picture)

Wood-iris-detail

Iris, detail

Time in Place Diptych consists of two framed panels.  Top framed panel, with a single square of beading at one end:

Woods-time-winter

Part I – Winter – It Snows Alot

Bottom:

Woods-time-rest

Part II – Spring – Wing and Song; Summer – The First Day; Autumn – Wild Ride

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A snowflake flower

One of the flower experiments from The Beaders Floral looked a bit like a snowflake to me.  I anchored the petals together (the 15s on the straight sides), and it became a snowflake!  I make a snowflake ornament every year for the holidays, so this year, I’m done early!

snowflake-flower

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I just saw Jo Wood’s work on display for the Minnesota Botanical show, on now through August 30th at the Grand Hand in St. Paul, MN.  I didn’t bring a camera (I haven’t asked if it’s allowed), but let me describe the seven pieces that were there.

The Iris Triptych is three panels perhaps 4 feet tall and 6 inches wide, of life-sized irises, each piece framed separately.  Beautiful intense colors with a really interesting use of suede (Ultrasuede?) for some of the leaves, and also the fabric of the blossoms — the long leaves were attached only on one long edge, giving the work more dimensionality.  The petals were attached only at the center with beadwork.

Blossom to Blossom is a really lovely set of flowers (echinacea?) incorporating corduroy and other fabrics, as well as embroidery, long stitches in the petals.  A lovely bumblebee flew above the flowers.  The flowers were in the distance with more of a pointillist look, and in the foreground with distinctive petals.

I believe I’ve seen three of the pieces before.  Two are small triptychs, with their three parts framed together.  Each portion of each triptych is perhaps 2×3″, and these two pieces comprise wood scenes.  There was also Spring Color, a piece perhaps 8×3″ depicting aspens and their undergrowth of flowers in spring.

The last two pieces were new to me.  They were two separate forest scenes, perhaps 6″ square.  All of these pieces are on the amazing wool felt that Jo uses, so these forest scenes have blue streaked skies, and greens and browns and gray for the ground.  One forest scene had rabbits in the foreground, and the other had white tailed deer.  The rabbits were facing front and side, but all the deer were facing away from you, so you saw a graceful arch of legs with a white flame of tail.  I love how an arrangement of only perhaps 60 beads clearly says “deer!” with Jo Wood’s skill and eye.

Altogether, there was beadwork, botanical drawings, oil paintings, lovely watercolor paintings of rocks and food and birds and turtles, pressed flower compositions, and rug hooking.  The full listing of artists is Paul Benson, Karen Engelbretson, Mark Granlund, Joan Lavine, Mary Anne O’Malley, Roz Stendahl, Kevan Willington, Jini Washburn (another bead artist — mostly peyote floral jewelry), and Jo Wood.  A lovely touch were some amazing plants from Leitner’s Garden Center, lots of really interesting succulents.  I loved the living stones.

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I received today an email with a picture of Dawn with her quilt, for which I had made a bead embroidered clownfish.  We all started with photo transfers, and embellished them as we wished.  Looks great!

dawn-with-quilt

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