One day left on my Beading For a Cure necklace!

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This is the last year for Beading For a Cure, where participants buy a kit of beads, sight unseen, and create something using at least one of every bead to sell at auction. Proceeds from the auction go to fight colorectal cancer, in memory of Layne Shilling, a beader who lost her life to the disease.

The necklace above is my contribution to BFAC this year, and bidding ends Sunday night. Please bid if you’d like, or see what the rest of the shop holds – you might find something else that you love.

BFAC 2012 pendants

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Beading Lake Superior

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Embellishing one small rock from Lake Superior’s shores…

I am providing this as part of a gift basket for a silent auction, with the theme of Minnesota.

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An Art-o-Mat!

Le Méridien Chambers Hotel in Minneapolis is the country’s first luxury art hotel. From their website, it “features over 200 pieces of original contemporary art work from the private collection of the hotel’s owner Ralph Burnet. Discover many of these great pieces at the Minneapolis Burnet Art Gallery. Edgy and controversial pieces from the Young British Artist movement can be spotted throughout the hotel.”

I walked through the hotel to get to the gallery (see my previous post), and returning to my car, noticed the Art-o-Mat that I had missed on the way in. An Art-o-Mat is a repurposed cigarette vending machine that now dispenses art. The Art-o-Mat website says there are now more than 100 machines, with more than 400 artists from 10 different countries. The website has a location finder, if you want to buy your own art.

So here’s my Art-o-Mat journey: Oh! An Art-o-Mat!

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I need a buy a token to play ($5).

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Which to choose?

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At this point, my parking meter is running out of money, so I bring my selection home to open. I chose earrings, because I cannot resist jewelry.
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Opening the box, here’s the packaging. I have to love an envelope made out of a sushi menu!
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Great fun, big blue plastic earrings! I am wearing them as I write this.

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And to hold the box upright when photographing? Kumquats, of course.
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Works on Paper at the Burnet Gallery

Sharon Louden pointed me to “Works on Paper/7 Artists” the current show at the Burnet Gallery in Minneapolis. I had blogged about Sharon’s Merge installation at the University of Minnesota’s Weisman museum, which led to exchanges of emails, and meeting in person when she was recently in town! (Sharon has a new permanent Merge installation at the University of Connecticut.)

In our conversation, Sharon told me I had to go see “Works on Paper,” especially to see Elizabeth Simonson‘s work, as she knew that I’d love it. I did! Simonson also works with beads, albeit in a different fashion than I do – I’m more textile artist, she’s a modern artist. See her sculptures and Vacare.

Excerpted from Simonson’s artist statement, “My work is structured through repetitive activity and is governed by one organizing principle: the system behind the work is what dictates the visual outcome. What better example of this principle than what can be found in the building blocks of life… Accordingly my recent work uses beads as a cell-like unit that simultaneously determines the structure of the piece as well as the “genetic code” of the organism through the use of color.”

Using ink and pencil on paper, here are some of Simonson’s works; they are all “Untitled,” created in 2011 or 2012. They are about 7×7″ or 9×12″.

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Aren’t they beautiful? They’re intimate and beguiling to my eye. Very appealing.

Another artist in this show whom I enjoyed is John Fleischer. He uses marker, crayon, and graphite on paper. This collection is “Which of Us We Are,” and each is 7×11″.

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I was clearly appreciating color when I visited — it’s been a long, unpleasant winter in Minnesota, and these two artists especially were a lovely antidote. To see more (better) images from the show, see Burnet’s exhibition page for “Works on Paper/7 Artists.” Visit before April 28th, if you can!

 

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Claire Kahn in Metalsmith magazine

Metalsmith is the beautiful magazine published by the Society of North American Goldsmiths (SNAG). There is always plenty of jewelry to imagine myself wearing, and decorative objects to find imaginary places for in my life. Want to do your own dreaming? Check out SNAG’s Maker Profiles.

The current issue (Volume 33, Number 2) has a profile on artist Claire Kahn. Kahn works in many media – clicking through to her website, I see painting and paper cuts, textile and pattern design, graphic design, jewelry design, and architectural projects including fountain design.

Her jewelry? Immaculate bead crochet ropes, heavy on gold and gemstones. Her work is technically perfect, and her colors rich. In the article, Kahn says she picks up beads in her travels for her fountain projects, “In Dubai, she found faceted citrine roundels that ranged in color ‘from clear to deep amber all through.’ In New Delhi she acquires the finest sapphires and tourmalines.”

Kahn has a drawing studio and a beading studio in her home, with her beads stored in Korean Honsu chests. She is represented by Patina Gallery in Santa Fe.

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